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Il Blues #7

24/4/2020

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L’espressione  musicale e tematica di questi cantanti di blues è infatti legata al luogo, dipende dal territorio e dall’ambiente, ha un accento, un’accentazione del clima economico e sociale relative alla contea o allo stato; appaiono così identità locali che sono state censite di stato in stato, di città in città.
Il Delta del Mississippi: culla del blues, un blues puro, potente, lancinante e incantatorio il cui rappresentante principale è Charley Patton (A Spoonful Blues, 1929). Non meno importanti sono Son House (Preachin’ The Blues, 1930) specialista del bottleneck, Skip James (Devil Got My Woman, 1931), Bukka White (Fixin’ To Die, 1940), Big Joe Williams (Break ‘Em On Down, 1941), Robert Johnson (Hellhound On My Trail, 1937) divenuto una leggenda del blues, Mississippi John Hurt (Avalon Blues, 1928), Tommy Johnson (Big Road Blues, 1928)…
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The musical and thematic expression of these blues singers is linked to the place. It depends on the territory and the environment, and it has an accent, an accent of the economic and social climate related to the county or state; thus, local identities appear that have been surveyed from state to state, from city to city.
The Mississippi Delta: the cradle of the blues, a pure, potent, excruciating, and enchanting blues whose primary representative is Charley Patton (A Spoonful Blues, 1929). No less important are Son House (Preachin 'The Blues, 1930) bottleneck specialist, Skip James (Devil Got My Woman, 1931), Bukka White (Fixin' To Die, 1940), Big Joe Williams (Break 'Em On Down, 1941), Robert Johnson (Hellhound On My Trail, 1937) who became a blues legend, Mississippi John Hurt (Avalon Blues, 1928), Tommy Johnson (Big Road Blues, 1928)…
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